Saturday, January 12, 2008 

Sarkozy-m

The President of a country should symbolize what the nation stands for and I'm glad that the French have found the right one.

Wednesday, September 26, 2007 

Mausim

You don't suspect anything when the termites begin feasting on the wood, nor does the unrelenting heat and discomforting humidity hint at the shape of things to come.

Day in day out, traveling the central line in local trains or in your air cooled car along the Mahim causeway, you absolutely do not notice the sudden appearance of egrets along the bushes near railway tracks.

At night, little winged insects hit against the living room tubelight or the TV screen, sooner or later slurped off by a delighted house lizard. But all that only adds to your pain, as you wipe the sweat sitting below ineffective fans in rooms that feel stuffier than ever.

And then one late afternoon, the wind chimes in the balcony suddenly start ringing louder than the hum of the air conditioner. The sun goes mild and the windowpanes sway, pushed by a gentle breeze carrying various smells of the city.

Before you know it, sheets of rain start hitting the building walls and clouds roar out a bass drum roll. You rush out to gather the clothes drying on the line and there you feel a few refreshing drops of the first monsoon rains spraying on your face, washing away at once all the discomfort of the days gone by.

Last year, I drove out of Mumbai towards Alibaugh in the monsoons. Even though it was early July, the sky was bent upon throwing all of itself at the earth. Rains in these parts offer a spectacularly overwhelming experience. You simply cannot get ahead of rain that pours nonstop for 24 hours, refusing to even pause for days on end.

Trickles turn into swollen rivers as bridges over them become slippery. Paddy fields on each side of the road assume a brutal green hue and rocks go damp allowing the growth of fungi and moss.

Rural folk in waterlogged villages wait for that one hour in three days when the rain takes a short break so that they can sneak a few moments back to normal life and buy supplies. Wives beckon their husbands to stay home and not venture out to the seas and husbands
ignore the advice and catch handsome booties of fish without venturing too far out.

Like an epic novel, the monsoon builds over the weeks, elaborating itself in different ways at different places. Some towns turn into the aftermath of a war, with trees, telephone poles and hoardings crashing down and getting strewn all over the place.

At other places, monsoons accentuate the inherent natural beauty of the area. Birds usually unseen perch atop trees and high tension power wires and snakes exit their water filled holes to catch frogs enjoying a splash game at puddles. The occasional squirrel saves its skin by making a well-timed dash from getting hit by a falling coconut.

Back in the city, clothes take forever to dry, hang as they do on nylon lines on balconies overlooking the seaface where lovers walk hand in hand, finding lonely spots to cosy up. Others wait up over coffee for their loved ones to arrive on delayed flights at the airport.

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Thursday, October 19, 2006 

The Moon is a Harsh Mistress

Good music, writing, art, ideas... stay away from them. They are brutal killers.

All subtle art is cruel. It seduces, entraps and regresses you, and all the while makes you believe that you were lucky to have the perspicacity to appreciate the finer points of the world around you.

But when you listen to that momentary sleight of notes in a stupid piece of jazz or read a clever twist of words in a book, your mind and heart pains and aches, and longs for something larger than the sum of everything you are. It kills me.

Oh, and by the way, to maintain the continuity in my previous post, I won the Oktatabyebye contest and had a vacation of a lifetime traveling from Delhi to Manali, Keylang, Leh, Pangong Lake, Nubra Valley, Kargil, Drass, Srinagar, Gulmarg and back to Delhi. I blogged about it on the Oktatabyebye website. My blogs have now been broken into destination-specific travelogues on the website. A big thanks to Webchutney and Makemytrip for giving me this larger than life experience!

Friday, June 23, 2006 

ok-tata-bye-bye

Tomorrow is what seems to be the final round for the oktatabyebye travel contest. If you're looking at the profiles of the people on that link, you will find the amazing levels of passion for traveling and travel among them. Especially Mridula, whose travel blog is a delightful revelation. Who'd have thunk that HR professors could live such an interesting life?

oktatabyebye is a to-be online travel community, which I reckon would be a bulletin board enhancement based on travel (?)

After you travel sufficiently for leisure in your life, you begin to form opinions about travel... travel as a hobby, industry, the media associated with it, etc. With strong opinions comes a natural disgruntledness, a desire to make things work differently, a feeling of 'they could have made it work that way'.

Travel is picking up greatly in India, but strangely, people are spending a lot more on travel than they could have. Indians by nature think of leisure travel as something complicated and dangerous. In my hometown Pune, Maharashtrians are known for their affinity to what I call the Raja-Rani-Tours-and-Travels mentality. On a tour to Ladakh, the typical Maharashtrian would rather be more worried about the food he/she will be served there than whether he/she is carrying enough woollens. Which is why a Raja-Rani-Tours-and-Travels pitch like 'We serve you assal shrikhand-puri and batata-bhaji when you are with us, no matter where you are' works magnificently. The premium for these homely service is high, but the Maharashtrian would rather be safe.

This is the sole reason why my uncles and aunts have been to Dharamsala-McLedoganj twice but do not know what a Momo or a Thukpa is. And I think that's pathetic!

Many people visiting oktatabyebye would have strong opinions about leisure travel based on their own travel experiences. You get a bunch of people like this together on a forum, and they have the strength to change people's perceptions about travel! So regardless of who wins tomorrow, travel in India and the backpack-culture is sure to move forward. If Webchutney pulls this off properly, that is.

In other news, I've been underground for some weeks getting PaGaLGuY.com in its new avatar. Take a look at our new design (http://www.pagalguy.com/). We've also tied up with two of the best international companies in the MBA business. The first is with TopMBA.com, the guys who get us Stanford, Tuck, Harvard, INSEAD, Chicago GSB at the annual World MBA Tours. The other is with Manhattan GMAT, who're at the top in the US in the GMAT training. Both tie-ups are for content exchange. There are exciting times ahead!

Tuesday, June 06, 2006 

Win Free Go Air tickets

PaGaLGuY.com is doing a rather unique campaign! Allowing the world to win 24 Go Air return air tickets in India just for blogging about them. The concept is simple. All you need to do is tag four of your friends while making a blog post for which the details are given below.

Best of luck in winning those free free free air tickets!!!

## Start of GoPaGaL Tag ##

If your blogger friend has tagged you, follow this link to participate: http://www.pagalguy.com/goblog/

GoAir and PaGaLGuY.com bring to you the GoPaGaL Campaign where you can win free return tickets to the destination of your choice. Winning is simple, just copy paste this tag on your blog after adding answers to the questions below and publish this as a blog post on your blog! Then head out to http://www.pagalguy.com/goblog/ , fill in the form and send us your Name and Blog post URL & Finally, tag 5 more blog users and let the world know. Promise! Its that simple and should take you no more than 5 minutes!!

— Answer the question below —

Q) On which GoAir Sector would you like to win a free air ticket?
A) Mumbai - Srinagar
( Answer the above question after you visit http://www.goair.in )

[ Link (Tag) 4 other blog users in your network so that they too get a chance to win the tickets. Without you tagging 4 other bloggers, your entry will stand disqualified.]
Tag
I would like to link the following bloggers!
(Please include the full URL to the blogger you are tagging)
e.g: http://insane.pagalguy.com, http://whatblogmen.blogspot.com etc etc

1 — Neha - http://neha16.blogspot.com/
2 — Zarine - http://toughmorns.blogspot.com/
3 — Siddharth - http://blogmia.blogspot.com/
4 — Neeta - http://could-it-be-mpd.blogspot.com/

— End of Question & Answer —

Now head over to http://www.pagalguy.com/goblog/ and submit your entry to win the tickets. New winners will be announced every fortnight!

Why? What? How?

This is an unique campaign run by ‘GoAir - The People’s Airline’ and ‘PaGaLGuY.com - India’s largest MBA forum’.

We are giving out over 26 return airtickets over a period of two months!

Join the insanity and find more ways to win tickets at http://www.pagalguy.com/gopagal/

Visit GoAir - http://www.goair.in
Visit PaGaLGuY.com - http://www.pagalguy.com

## End of GoPaGaL Tag ##

Saturday, May 06, 2006 

Music that put a smile on my face

Long time since I blogged about music.

An overwhelming feeling of sadness came over me as I read the papers about Naushad's passing away yesterday. As obituaries upon articles mentioned his songs, I relived all the memories of childhood when I had discovered Naushad's music. I also felt a sense of pride in having being able to discover and appreciate a composer whose music was not exactly 'in' within my generation.

There is a lot to Naushad beyond Mughal-e-Azam and Mother India and I think his best can only be appreciated by listeners who take some effort to find their music rather than music finding them through radio or TV.

I don't know what it is about songs like 'Uthaye jaa unke sitam' (from Andaz) or 'Do sitaron ka zameen par hai milan' (Kohinoor) that everytime I play them in my head I smile to myself. I can say the same thing about every song in Baiju Bawra, perhaps Naushad's best.

I cannot claim to identify with the lyrics of these songs because they speak about a different era but also because I am not that deep as a person. Yet, I can attach every time of the year, every turn of the weather and every place that is close to me to some or the other song by Naushad.

It is largely thanks to Naushad that I developed a taste for Hindustani Classical Music. I was probably 8 or 9 years old when Dad's huge collection of tapes and LPs of Kumar Gandharva, Jasraj, Bismillah Khan, Kishori Amonkar, Hariprasad Chaurasia et al caught my curiosity and attention. I still have images ingrained in memory when I began to neglect school homework and started listening to that music fulltime, flooding Dad with all sorts of questions the moment he returned from office about what differentiated Raag Kedar from Raag Bihag, or how one counted the Maatras in a Taal, and the works. Dad has a way of explaining things that you 'see' it immediately.

But it was in Naushad's songs that I found validation for my understanding of all these complex concepts of music. Thanks to Naushad, by the time I was 12, I understood enough about Classical Music to be able to sit through entire 4 hours of a Hariprasad Chaurasia concert fully knowing what was going on each second and fully enjoying it.

What I learned then has stayed with me till today and helped me play more than a dozen musical instruments without any formal training. I might have explored other forms of music over time, from the glass-shattering mayhem of Pantera to the deft piano runs of Chick Corea, the gruff vocals in Dire Straits to the ghazals of Jagjit Singh, but the music from those years remains closest to my heart.

Very little from the film music nowadays feels like home. I can clearly count songs that have really touched me in the recent years. Parineeta's music, especially 'Raat Hamari Toh', or 'Bawra Mann' from Hazaaron Khwaishein Aisi or 'Luka Chhipi' from Rang De Basanti are the only ones that really make a mark.

Sunday, April 09, 2006 

Living Portugal

How much effort are you prepared to take to have a truly quality time when on a backpacking trip? When I heard of Korlai, I knew that it would be worth it to learn Portuguese and then visit the only place in India where over 900 people still have the language as their mother tongue. And I wasn't wrong!

Maybe it is that lone young people don't board the ferry that leaves the Gateway of India quay at Mumbai for Alibaugh on weekends too often, and if they do, they are instantly branded dubious wandering explorers by the locals from Maharashtra's coastal belt.

For as the boat chugged away eastwards from the Mumbai skyline, a group of fishermen folk had identified me as one, perhaps because I was the only one on board who was not surrounded by a huge group of college students or a better half.

Soon I was the centre of attention of the hoi polloi. "Why you go alone? How you will spend your honeymoon if you go alone?"

So I made an attempt to divert attention from this alleged irregularity in my existential setup was by asking them where near Alibaugh that town was where over 900 inhabitants spoke Portuguese as their mother tongue even today.

"Oh you want to go to the town of Firangis?" came the quick reply. "Go to Revdanda and ask for Korlai!"

Yes, that was the one I was looking for. The way from Alibaugh bound south for Murud town – with its majestic sea-fort of Janjira – isn't quite a path well trodden. So when I learnt that tiny fishing towns on that road were once the hotbed of Portuguese colonial activity, I knew that stuffing my backpack up was the inevitable thing to do. My intuition told me that Revdanda was the material that would make for many delightful private discoveries and have you wondering if you should disclose its existence to the world. What if millions of tourists throng this place tomorrow and kill the charm of this place?

Hitting land at the Mandwa port, I boarded one of the 8-seater shared rickshaws just where the milestone read, 'Murud – 58 kms'.

The rickshaws here are staple transport for the locals, all of whom seem to be traveling from one village to the other all the time.

Noticing my backpack and camera, a croaky voice belonging to a passenger asked in Marathi, "Going to Revdanda?"

As I replied in affirmative, another fellow commuter spoke, "Revdanda is a boring place, I don't know why youngsters go there. There is nothing to see in Revdanda."

The rickety vehicle carrying us trotted along a highway that ran just next to the sea all along. Every now and then, villages with houses covered in dense foliage appeared and disappeared, adding and subtracting people from the rickshaw. And then the blue sea crashing against the now rocky and now sparkling white sand shore returned to be the winding road's companion.

The rickshaw pulled off below an old ivy-covered thick-stone archway that is the entrance to the erstwhile Portuguese fort of Revdanda, formerly known as Chaul. The road runs through the town for a couple of kilometers until it passes under a similar high archway and opens up to a bridge over the Kundalika river mouth. The entire stretch of the road between the fort walls is covered in a thick canopy of dense tropical vegetation, which makes the hot and humid weather bearable.

The black-stoned fort walls are really thick, perhaps to nullify impact from huge cannonballs shot from warships. The Revdanda fort was built in the mid 1500s to augment the Portuguese military control of the coast.

The fort's walls and citadel are mostly in ruins, but at some places there are plaques on walls and on top of doorways with the seal of the Portuguese empire in a surprisingly perfect condition.

As you inspect the fort, you run the risk of becoming the subject of amusement in the tea stalls clasped to the fort walls.

"That's all of the fort that you can see. The rest is not accessible, too many dense bushes," called out a creepy onlooker in a very I-keep-seeing-many-of-your-kinds manner from a Chinese food stall thoughtfully named 'Maratha Hu-Lin'.

He pointed me to a street that went in the direction of the sea, proposing that I might like to check out the old chapel where St Francis Xavier lay buried. St Francis Xavier in India? Yeah right, I thought.

There, just next to a well stood a roofless ruin of a structure that had the looks of a could-have-been chapel.

A fairly new marble plaque at the ivy-infested entrance read 'St Francis Zavier Chapel'. Maybe 'Zavier' was not the same as 'Xavier', perhaps the people of Revdanda had a casual sense of spellings or maybe they had achieved more phonetic progress than the Americans, I examined all the possibilities.

I recalled a tourism department handout which claimed that St Francis Xavier had delivered both his first sermon on Indian soil and the last discourse of his life at Revdanda. Surely if that were true, the monument would not be an abandoned ragtag now.

A large tablet with inscriptions in Portuguese lay on the ground inside, while two huge cannonballs from yore lay along one wall. If somebody were to decipher and translate the text on the tablet, perhaps the truth about the chapel would be known.

"There was a man who knew all about the history of Revdanda. He had found secret passages inside the fort walls. He died in 1978. His ghost comes here during stormy nights. But you might want to check out the Birla Temple across the river," said the man from the Chinese stall as I returned back to the fort archway.

I took the cue from the fishermen in the ferry and asked him for Korlai, which turned out to be the next village down the highway. Passing over the river bridge, I could see the Korlai fort far away in the distance, standing majestically on top of a hill jutting out at the mouth of the Kundalika. Small needle like things protruded out of the fort's vantage points. Cannons, I reckoned. Sparkling white sand beached bound the blue water and land together all along the coastline.

The Korlai village is divided equally into the Catholic, Hindu and Muslim communities. This part of the Maharashtra coast looks like a very unlikely place for being a hotspot on the world etymology map. But Korlai village, with its population of 3,003 (as written on the state transport bus stand sign), speaks 'Korlai Creole', the purest living form of Portuguese in the Indian subcontinent. About a thousand Catholics in the village have the language as their mother tongue, though the other communities too speak it because all the children study in the same Mount Carmel School. The language is a mixture of Portuguese and Konkani Marathi, the former being the dominating component.

Around 1515 AD, the Portuguese families that immigrated here mixed with the locals and settled down here. Of all that they passed down the generations, only the language survives.

"These people can't read or write Portuguese. A Portuguese national today might be able to make out what they are saying, but they wouldn't be able to understand modern Portuguese," Father Diago of the 350 year old Mount Carmel Church told me, as I climbed up to his flat
teeming with the odor of freshly cooked chicken.

"There is no recorded history of this place. A historian from Revdanda had done huge research on this place but I don't think he's alive now," he remarked as I made a connection with the ghost that haunts the man at the Chinese food stall.

The school attached to the church had just ended, and a mass of children streamed out of the doors as if a dam had burst open.

Identifying a few idle ones, I asked them to teach me some of their Portuguese. Knowing some modern Portuguese myself, I could make out the difference between the pure form and the Creole. 'Eu' (I, in Portuguese) had become 'Yo', 'Voce' (you) was 'Vaache', 'queira' (to want) was 'halla'.

The path winds through the village to a narrow strip of land that connects the Korlai hilltop fort, once known as 'The Rock of Chaul'. Climbing up mildly along the sea facing side of the hill to the lighthouse, the path provides a beautiful view of the huge U-shaped beach of Korlai, marine blue water breaking against white sands till more then two miles until a hill extends itself out to close the bay.

Few cross the lighthouse complex to climb up the 150 steps to the Korlai fort, but the tiring ascent is well worth it. The ramparts run along the ridge of the hill which is surrounded by sea on three sides. The fort is a long sequence of seven doorways, one after another, and
is hardly ten meters in width. The topmost part of the fort has the citadel with a dilapidated church and a temple facing a water tank.
Cannons lie facing the sea in all directions. The lowermost gate that opens up into the mouth of the Kundalika river has a seal of the Portuguese empire with the inscription 'No entry without a fight' on it. The fort has its share of snakes but one can hardly see them outside their hidden shelters except when its monsoon.

I took one last glimpse at the Korlai beach from top of the fort and returned to the highway. A rickshaw going further south along the coastal road was waiting to fill one vacancy so I stacked myself in.

Ten minutes later, the road descended down a hill in a hairpin bend and suddenly a beautiful blue beach kissed by the setting sun unveiled itself. Kashid Beach is the most famous beach in these parts and the location for several advertisement and film shoots. Few venture out here, which explained why I had the entire two mile stretch of the beach bliss all to myself.

One doesn't get much to eat here, except bhurji-pav and tadka-Maggi, but some commendable soul has put up hammocks along the entire length of the beach.

Checking into one of the hotels here, I settled into a hammock with a book, watching the sun sink.

(Published in April edition of Darpan, the Indian Airlines in-flight magazine)